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AMOS GARRETT, DOUG SAHM, GENE TAYLOR: THE RETURN OF THE FORMERLY
BROTHERS (STONY PLAIN) -
Out of print for over ten years, those
fond but fading reminiscences of the Formerly Brothers are
now commercially retrievable. Thank you Stony Plain! A 1986
made-in-Canada roots ensemble, the Formerly Brothers was a
trio of roots professors whose lecterns were stages, namely
pianist Gene Taylor, Amos Garrett and legendary Texan
troubadour Doug Sahm, (Sir Douglas Quintet). |
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Their honored
1988 release, The Return Of The Formerly Brothers--
-intended as a posthumous tribute to Sahm whose 1999 passing
left a huge void--captured a slew of well-deserved rewards,
including a Juno. The band was formed during Sahm’s
Canadian sojourn (1986-1990), and there’s a revealing bonus
interview, where he expresses his fondness for Canadian
audiences. Doug actually settled in Vancouver Island from
1988-1990, touring as a Formerly until returning to Texas to
form the Texas Tornados with campadres Freddy Fender
and Flaco Jiminez. Rootsy authenticity is abundant,
including old-timey country delights Amarillo Highway
and
Hank Williams' 'Bank Of The Old Pontchartrain'.
Nostalgic potions to ease all ailments! Queen of the
Okanagan closely approximates the Tornado’s Tex-Mex stew,
but with a Canadiana twist. There’s another splendid bonus
track in Louis Riel, a song Sahm wrote about the
exploits of the leader of the famous Metis rebellion. Can’t
imagine why this beauty was left off the original. Time-tested
Rhythm n' Bluesy nuggets also summon up powerful aural
images--except those of juke joints. Smack Dab In The
Middle is smack dab on the mark with Garrett’s poised
vocals, while Sahm’s leathery pipes emote mightily on
Teardrops On Your Letter
and Drunk. 'Sir Douglas'
worked with Dylan during the 70’s; he tips his cowboy hat
Bobby’s direction via a convincing take on Just Like A
Woman. Gripping! Gene Taylor gives those 88's a
sweat-drenched workout on Gene's Boogie and Coming Back Home. Taylor also wrote Sure Is A Good Thing, a
no-holds-barred slice of New Orleans’ gumbo that leaves a
savory aftertaste. Special guest Queen Ida adds more Louisiana
condiments Zydeco-style on Big Mamou. Doug and Amos
divvied up the lead guitar duties, consistently entrancing
with their infallible taste and succinct note selection. Every
player has a sixth sense for allowing the honesty of this
music to speak for itself, submerging their own personalities
in that resolve, relying instead on nuance, subtlety, and
delicately-shifting patterns to reveal glimpses of their
respective selves.
-Gary Tate/ MP3 - |
The Pontchartrain |
Smack Dab in the Middle
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