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Hard-edged Blues, Stax/Volt-oriented
Soul, and classic Rhythm n’ Blues predominate. Johnny M’s
facility for uncovering the quirkiness in everyday situations
is revealed via such endearing delicacies like Brown’s
Line and Mimico Bus. The wistful I Like Women
may offend some, but that’s just the way it is with Johnny
whenever he puts on his witty raconteur hat. And once Johnny’s
hearty, full-throated tenor and Kevin Higgins intense
and searing guitar accelerate into high gear--then fasten up
your seat belts folks. They pull out all the stops from their
bag of tricks to induce a lump in the throat, or a tear in the
eye. Especially on
Albert King’s Angel Of Mercy, but
also with Motherless Children--or the gospel-drenched Walking In Jerusalem. Other battle-scarred veterans of
the Blues wars have been enlisted, including bassist Uli
Bohnet, drummer Duncan McBain, and keyboard maestro
Martin Aucoin. The other great news is the song
quality: It is exceptional, meaning the new stuff carries as
much weight and substance as the covers. Starting off with
Please Don’t Go, which expands upon a familiar Blues idea,
then re-shapes it into a grind ‘n’ boogie groove. Tough as
well-aged leather! The title track is a “shake n’ bake”
number originally done by
Sonny Terry and Brownie McGee.
Cooks with gas! Whatcha Gonna Do is a pure revelation,
a huge leap forward in terms of raising the bar on what’s to
be expected of their material. Long Gone Train is
another stirring accomplishment, very reminiscent of the Stax/Volt
soulful sides that used to regularly sail from the legendary Muscle Shoals studio. Mad At Me is another crackerjack
of a song, a swinging tale of babe-induced aggravation. When
the chorus chips in, henpecked guys the world over will wanna
wail along. Crazy yet cute! Shake ‘Em Down features
Johnny at his suggestive best, a nifty shuffle featuring some
deliciously greasy slide guitar work from Kevin. Ride and
Roll is easily their most mature, and
accessible release ever.
MP3 -
Please Don't Go
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