|
LivinBlues CD Reviews
by
Gary Tate - 'Evil @ the Crossroads!'
-
back to archive |
. |
 |
JANIVA MAGNESS:
BURY HIM AT THE CROSSROADS (NORTHERNBLUES)
Janiva Magness is a Blues treasure poised for widespread
acclaim. Colin Linden brought her to the attention of
Fred Litwin of NorthernBlues, which eventually led to 'Bury
Him At The Crossroads', a voyage of sorts back to
roots-oriented intimacy--placing it in contrast to Janiva
Magness' earlier releases that tended to showcase her Blues
shouter persona. Great things have been predicted for her, but
signing Colin Linden as producer/lead guitarist guaranteed
impeccable authenticity. Janiva Magness has a wonderfully
elastic vocal instrument. |
|
|
So using a small ensemble was
perfect in capturing its many shades, emotions, and nuances.
The covers, though not necessarily obscure, are enshrined in
the ethers of the Soul, Blues, and R&B canons, such as 'The Soul Of A Man'
written by St. Louis legend Oliver Sain. Backed up by
little else than
Richard Bell's piano, it's an
emotionally charged love song.
J.B.Lenoir's
'The Whale Has
Swallowed Me' is another wonderful discovery, and Magness
captures the Gospel interior lying just below the Blues
surface. Delbert McClinton's 'Ain't Lost Nothing' is a slice of roadhouse Blues,
featuring Janiva Magness at her tantalizing best. As
for the originals, the title track packs an emotional wallop
as it harkens back to Delta Blues mythology. The slightly
melancholic 'I'm Leaving You'
goes down as easy as a glass of iced tea on a hot summer's
day. As for the final judgment I
have but one word. Encore! MP3 -
Soul of a Man | surf
to Janiva |
|
 |
 |
J-W JONES BAND: MY KIND OF EVIL (NORTHERNBLUES)
'My Kind Of Evil'
is the kind of release that makes a career.
There’s a 'devil-may-care' attitude surrounding every track
on 'MKOE', announcing a royal fine time. The opener, 'Shake That Mess',
is vintage West Coast, an original “get-down-and-boogie” number
featuring a super horn arrangement. The finale, 'Let's
Have A Ball', is another up tempo thrill ride, while that lacquered
axe of J-W Jones provides a tantalizing sideshow all by
itself.
Jimmie Vaughan’s
influence is
all over the title track. Evil’s never sounded better!
|
|
|
'You’ve
Got Me (Where You Want Me)', sung by guest Colin James,
alternates between a slinky Guitar Slim-like vibe and a
Cajun Rockabilly tempo. 'Cheating Woman' is original and
displays Jones’ matured voice. It’s
also a tribute to Otis Rush, and Jones honours that legend in
grand style, abetted by some beautiful
Kim Wilson harp. There are three
instrumentals. 'Code Blue' re-visits the glories of the Big
Band era, gift-wrapped in that cool Jones’ Fender
Stratocaster. 'Nothing
On Me' is Stax/Volt to the core, but the blue ribbon belongs
to 'Slow Down', a rockin’ Blues symphony reminiscent of
B.B.King’s all-instrumental album.
Kim Wilson foments a raucous
celebration on 'I Don’t Know' and 'Blue Monday',
demonstrating how some spontaneous letting loose can breathe new life
into retreads. Stomp time! Colin James also contributes to the
mirth quotient on a
Johnny Otis number, 'What You Do
To Me', while J-W recalls
Johnny
'Guitar'
Watson with some
wild-edged string bending.
MP3-
Shake That Mess |
surf to
www.jw-jones.com |
 |
|
info@livinblues.com
home
blues
e-news
guestbook
contact us
bluesrooms
blues e-kards
links
©2008
Amigo Web Services
|
|
|