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LivinBlues CD Reviews
by
Gary Tate -Jacobs-Strain on the Taxi Chain -
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TAXI CHAIN: SMARTEN UP (NORTHERNBLUES)
For those interested in discovering out how malleable the Blues
are, 'Smarten Up' by Taxi Chain is probably as fine
an example of extreme genre bending as can be imagined, featuring
bagpipes no less. In less competent hands it might have collapsed
under the weight of its extended reach, but Taxi Chain is
an exceptional outfit that has been sharpening its aim for nigh on
a decade, finding a formula that works in combining
Celtic-spirited rhythms with Blues and Soul. Taxi Chain has
become synonymous with partying hard and partying long, |
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Titles such as 'Tandoori Mustache',
might be a little off-putting. No need to
fear though, virtually all are accessible, and anything in 'Smarten
Up' is far more valid and smarter (no pun
intended) than much of what purports to be Blues today. In the highly
capable hands of Grier Coppins, the Scottish saxophone
proves to be more adaptable than expected, while providing a
haunting undertow. Actually, the most predominant instrument
is the regular saxophone, as handled with assurance
by Joe Burns. 'Memphis' is one of the most
compelling tracks to herald a recording project, invoking the
holy ghosts that have left their imprint there (Otis
Redding, Elvis). 'Cut Me A Key', also
insinuates its way into the subconscious. As for 'James
Brown Ate My Bagpipe' it could have been sub-titled 'The
Funky MacIntosh'. 'Smarten Up' is on the
leading edge of Blues inventiveness.
MP3-
Memphis |
James Brown Ate My Bagpipe | surf to
www.taxichain.com |
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DAVID JACOBS-STRAIN: OCEAN OR A TEARDROP (NORTHERNBLUES)
Acoustic prodigy David
Jacobs-Strain might be only 21-years of age, but he
convincingly conveys such a wide pallet of emotions, that his
youthfulness seems a mere afterthought. His Blues are intended as
passionate vehicles for the expression of his inner life, and not
as some excuse for partying opportunities. Moreover, it's
uplifting when you get to hear a young musician who is not only
extremely talented, but also has a unique sound that is
immediately identifiable.
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'Ocean Or A Teardrop' is his
second release on NorthernBlues, and like his debut- 'Stuck
On The Way Back'-it was recorded in Santa Fe, NM, a
very apt location, since several offerings have themes of
isolation. There are 3
traditional Blues numbers, including a terrific version of
Fred McDowell's 'Kokomo Blues'. 'Girl I Love' by John Estes features some superb slide guitar,
and a very powerful
version of 'Soul of A Man' by legend Blind Willie
Johnson. 'Sleepless Dream'
features David seamlessly crossing over into pop music
territory, without the slightest hint of compromise. By carving
out his own distinctive niche as a traditional Blues artist
with insights into contemporary political and social issues,
Jacobs-Strain is bound to draw comparisons with the likes of
John Hammond Jr.,
Taj Mahal, but mainly Otis
Taylor-whom he and David share a common linkage in
producer Kenny Pasarelli. 'Ocean or a Teardrop'
is destined to attract a tidal wave of positive attention.MP3-
Ocean or a Teardrop | surf to
www.davidjacobs-strain.com |
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