LivinBlues CD Reviews by Gary Tate  - Behold the Joys of Villanelle back to archive

PAUL REDDICK: VILLANELLE (NORTHERNBLUES) - Villanelle by Paul Reddick marks his first solo release, although the reliably steady hand of producer Colin Linden is always nearby, conferring immaculate string shadings and further enhancing Reddick’s astute observations on the human condition through his uncompromising artistry. 'Rattlebag'--which coincidentally featured a change in billing to Paul Reddick and the Sidemen-- was suffused with a more acoustic focus than previous Sidemen releases. It’s rightfully been compared with the back porch, common man variety of Folk Blues chronicled by Alan Lomax.

Reddick’s Blues is intended for the thinking man; yet he’s fully engaged in literate and often obscure allusions. Such poets as William Blake and Kenneth Rexroth have influenced his work, while Paul’s a huge admirer of such legends as Sleepy John Estes and Fred McDowell. Villanelle’s every tune is imbued with a catchy melody or assertive rhythmic line, allowing the most casual the listener to instinctively breathe in the meaning of it all. 'Rattlebag' earned unreserved acclaim for Paul Reddick, but Villanelle deserves even more hosannas. Little beyond 2-4 instruments per track get availed to their maximum potential, lending an aura of simplicity to profound musings. Reddick’s rich inner world is fully revealed, and the results are enchanting. The best advice in approaching Villanelle’s 15 tracks and 65 minutes is to exercise maximum patience. Set aside 2 worthwhile hours to soak up its overall flow and direction (it’s like a very good read). Determining which tracks give extra pleasure is no easy task. Simply put, there’s not an unwanted note or hint of pretension to impede full enjoyment. Two of the first 3 tracks (Winter Birds, Villanelle) are firmly ensconced in the old-timey country tradition, and Reddick’s voice—forlorn, desolate, and moving--has never been more effective. Luck In Love is another gorgeous offering, its drone groove accompanied by Reddick’s full-bodied harp. During the 15 tracks, I counted a mere handful of straight-ahead acoustic Blues with those like Big Not Small, Waves, and Burning Fuse packing an emotional wallop, but especially noteworthy is Hook’s In The Water. There’s so much more to praise, but space is insufficient. However, Round This Time Of Year, with its whispery and delicate phrasings is deserving of special bestowal--probably as compelling a piece as anything Reddick’s ever done. The subsequent track Five Silver Dollars is every bit as moving. Twin beauties! First there was Harry Manx (West Eats Meet), then Michael Jerome Browne (w/ Twin Rivers String Band), and now to finalize 2004’s triangle, behold the joys of Villanelle. Anyone who feels that the best in contemporary acoustic Blues and Roots isn’t emerging from Canada just isn’t paying attention. MP3 - Five Silver Dollars | Stone Indigo |

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