back -STREET CORNER HARMONY WONDERS by Gary Tate: Doo-Wop is probably the least understood segment of early Rock n' Roll, but its spontaneity, plaintive quality, and soothing youthful vibes provided immediate resonance to teens. Those were their peers getting heard, and making waves, and providing them with a palpable sense of pride.

1· Cleftones (Mp3-Little Girl Of Mine)
This 1956 tune became a showstopper for the group, and street corner anthem for curbside crooners.
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2· Dion & The Belmonts (Mp3-In The Still Of The Night)
For material, Doo-Woppers turned to standards, hoping to re-gear them to the new beat. Many
were laughable, but this floating arrangement gloriously captured the spirit of the Cole Porter classic.
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3· Capris (Mp3-That's How Love Goes)
A beautiful and heartfelt ballad that showcases the amazingly styled vocals of Nick Santamaria.
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4· Penguins (Mp3-Do Not Pretend)
They attained Doo-Wop immortality with Earth Angel, but had at least 10 other tunes of equal caliber.
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5· Del-Vikings (Mp3-Cool Shake)
In 1957, there were two Del-Vikings. They both hit Top 10 at the same time: Here's Cool Shake.
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6· Splendors (Mp3-The Golden Years)
Hundreds of ballads kept young couples entranced and entwined. Reminiscences about teenage years.
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7· Jive Five (Mp3-Here I Am)
Their 'My True Story' was the greatest Doo-wop/R&B ballad ever. Here's another one for the Jive Five!
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8·  Dukays (Mp3-The Girl Is A Devil)
This was Gene 'Duke Of Earl' Chandler's group. At times, this tune is reminiscent of the Coasters.
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9· Sharps (Mp3-We Three-My Echo, My Shadow, and Me)
This Old Town group does proper justice to a chestnut originally popularized by the Ink Spots.
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X· Spaniels (Mp3-Please Don't Tease)
From 1956, lead vocalist 'Pookie' Hudson influenced such Soul singers as Lou Rawls and Brook Benton.
 

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